✈️ Departure: The Trashformative Route
A nomadic public art project for the cities of the future.
What if airports turned into museums?
What if waste turned into memory?
What if departure points were not escapes, but moments of transformation?
Departure is a large-scale, transnational public art project that transforms airports and transportation hubs into trashformative ritual sites — where plastic waste, data residue, and collective memory are reshaped into futuristic monuments.
Inspired by the aesthetics of travel, migration, and digital cartography, Departure imagines a carbon-free and borderless future. The works are powered by solar energy, woven with data, and reborn through evolution in each new location.
First stop: Grand Rapids, Michigan
Then: COP30, Brazil
Next: Art Basel Miami Beach
At every stop, Departure expands — like a digital serpent made of waste and dreams — inviting the audience to rethink departure, arrival, and the future itself.
Light Ride: Traveling at the Speed of Thought
This series consists of space vehicles made entirely of light, created within a virtual reality environment where physical boundaries no longer apply — only energy and imagination exist.
Each “Light Ride” is not merely a mode of transportation, but a vessel of consciousness — formed by thought, not material. In a time when we navigate not with our bodies but with our minds, these vehicles ask: If we could project ourselves at the speed of thought, what shape would we take?
This journey down the astral highway is not just about velocity, but about the evolution of awareness. These vehicles are powered by no fossil fuel or gravitational force — only pure imagination. Each one represents a different planetary atmosphere, a state of mind, or a speculative future.
Since 2018, I have been using light as a brush inside virtual reality, sculpting these vehicles to reflect questions of transportation design, the essence of speed, and the aesthetics of dematerialization.
They are not machines.
They are thoughts in motion.
PLASTICHAIN – The system hack!
A blockchain-based trash revolution.
Plastichain is a long-term vision developed at the intersection of art, sustainability, and digital systems — a Web3 project that transforms plastic waste into digital value. It is both a provocation and a proposal: What if trash could fund the future?
The prototype takes the form of interactive sculpture-bins called Pimoggy, designed to collect plastic waste and reward users with crypto tokens. These creature-like structures merge public art, behavioral science, and blockchain technology — becoming playful agents of a decentralized cleanup movement.
Plastichain is not just a recycling system. It’s a system hack — an attempt to reprogram the way we assign value, engage with waste, and imagine public responsibility.
Set to debut during the 2030 Los Angeles Olympics, Plastichain aims to turn global plastic pollution into a collective asset. Through gamification, urban rituals, and participatory infrastructure, it proposes a new economy of trust, transparency, and transformation.
From trash to token.
From chaos to code.
From plastic to power.